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From Deft Camp to Dumb Art & then Back Again By: Jorge Valdes-Pages for ART SOURCE, 1993 J orge Valdes-Pages: Let’s jump right into the interview: do you believe your work is getting weaker?Jef Bourgeau: Not at all. JV-P: I’ve seen reviews that could prove it. JB: I’m very much at peace with what I do. JV-P: Is that the same as being asleep on the job? JB: My vision has always been consistent and unfaltering. JV-P: Are you saying it’s not the same? JB: Can we move on? JV-P: I’m making you uncomfortable. I’m sorry. JB: Look we can talk about whatever you like. JV-P: Fine. Your biography states they you’re bisexual. JB: That was a typo we chose not to correct. For obvious reasons. It simply reads better. It was meant to say that I’m ambidextrous. JV-P: I see. Do you paint right or left then? JB: Either and neither. I deny any political content. Whichever suits me at the moment. Although, I’m beginning to think my left-handed work tends more toward the abstract while my right more to realism. JV-P: How exactly do you start a painting? JB: I hear a voice in here. I’m my head. Telling me what to do. JV-P: Whose voice is it? JB: Mine of course. JV-P: You’ve recently started a new series. What you call THE NEW REAL. What’s it telling you now? This voice in your head, I mean? JB: Hitler hat jahrzehntelang in der Holler geschmort, zur Basse fur mein Taten. JV-P: What’s all that mean? JB: I have no idea. I don’t know any German. JV-P: How can you be inspired then? JB: I suppose it’s the tone of the voice that does it. JV-P: You once said you’d like to make sense. To say what you want. But then you would no longer be an artist. JB: To be an artist you must first lose the gift of speech. JV-P: Is it a gift? JB: Only when spoken to. JV-P: Otherwise? JB: Shut up. JV-P: Pretty rigid. JB: If nothing else, grammar has taught me discipline. JV-P: Why go on then? If you have nothing more to say? JB: Don’t get me wrong. I still have plenty to say. I’m bursting. Only now pigment has become my alphabet, my antidote for language. And with each brushstroke I try to check my habits of speaking, to counter them. I try to be unfamiliar with what I am saying. JV-P: Is that the same as finding meaning where there is none? JB: Quite the opposite. It’s finding nothing where there is only meaning. JV-P: In other words? JB: Pure painting.
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