museum of new art
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The Saatchi 10:The Second Coming & The Geometry of Time: Origins of the 21st Century
opening at The Museum of New Art
Saturday, February 13 from 6-10pm
email: detroitmona@aol.com |
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THE SAATCHI 10: The Second Coming
Charles
Saatchi is arguably the most important art collector in the world. He can
make or break an artist's
career
by merely dropping his hat. Saatchi
Online
was launched in 2006. The website currently has over
100,000
Although lauded and celebrated from cyber-space, this small group of Saatchi’s best artists was never intended for a real exhibition. It’s a virtual world we’re living, after all. And how can anyone create a dialogue between art that was chosen on merit, yes, but without true thread or any other "real" connect?
Eager
to conflate these distinctions between a labored exhibition and random
pairings, Cesar Marzetti immediately grabbed at the opportunity to curate
just such a show for the Museum of New Art:
“In the end, all of art hinges on a twist of expectations.”
Hans Arp ripped
up his drawings, threw them in the air and glued the fragments on a piece of
paper in the order they hit the floor. Tristan Tzara composed poems by
picking words from a hat. William S. Burroughs
invented
the cut-up technique: the random rearrangement of text in order to decode
it's hidden meaning. Charles Saatchi seems to agree: "The art world is dominated in people's minds by the thousand artists that are very successful, that are handled by the top 50 dealers around the world. They're the ones that get all the attention, but the real art world is hundreds of thousands of artists around the world who don't have dealers and are pretty much unrepresented." "I see some very talented artists among these and I'm pretty sure many on the site are going to be some of the big names in five, six or seven years' time," Saatchi predicts.
THE SAATCHI 10
February 13,
Saturday
from 6p to 9p
@
The Museum of New Art
7 North Saginaw Street
Pontiac, Michigan T +44 (248) 210-7560 detroitmona@aol.com hours: thurs - sat 1p-5p SAATCHI’S TOP TEN ARTISTS
From over 100,000 international artists at Charles Saatchi's Online Gallery, ten were chosen as the "best" over the last week in October 2009. These ten were selected by Charlotte Bonham-Carter, an author, art critic and assistant curator at the ICA in London. Cesar Marzetti, chief curator at the Museum of New Art, has now curated these ten artists into an exhibition of their own. Artists: Suse Bauer, Alex Burdiak, Toby Christian, Marsilio Diteramo, Jessica Drum, Megan Jacobs, Plan b, Mandy Williams, Women's Rooms, Mehran Zamani. *Charlotte Bonham-Carter is an author, art critic and a curator. Formerly assistant curator at Barbican Art Gallery, she is now assistant curator at the Institute of Contemporary Arts, London. She is a regular contributor to Flash Art and recently co-authored (with David Hodge) 'The Contemporary Art Book' (Carlton, 2009).
Participating Artists (in order of
appearance):
PLAN
b
- AND -
The Geometry of Time: Origins of the 21st Century The great imitator, art like life seems to repeat itself. However the past is porous, entirely dependent for meaning on the experience of the present. Our understanding of cultural memory is also constantly reshaped by the present, and so never truly repeated either.
The Geometry of Time affirms that, within recent artistic
practices, interest lies in observing the mechanisms of this
reinterpretation. The physicality of much of today's art is an active
reconfiguration of the past, replaying known events and strategies while
positing a "truer" version that is more in sync with current life.
Unconnected artists are breaking ever larger chunks of “history” into
their work: the bending of form and genre, the lure and blur of the real
itself, of the old with new.
The questions this exhibition explores play out constantly around us, and Geometry of Time is a rigorous, radical reframing of how we might think about truth and memory itself.
"Art is theft," Willi Burkhardt explains. "And the only way out
is to go deeper
in."
*Willi Burkhardt and Anna Messer are co-directors of Berlin's Galerie Burkhardt + Messer.
Die Geometrie der Zeit
Der große Nachahmer, Kunst wie das Leben scheint, sich zu wiederholen. Jedoch ist die Vergangenheit, völlig Abhängiger für die Bedeutung auf der Erfahrung des Geschenkes porös. Unser Verständnis des kulturellen Gedächtnisses wird auch ständig durch das Geschenk umgestaltet und so nie wirklich irgendein wiederholte. Die Geometrie der Zeit bestätigt, dass, innerhalb der neuen künstlerischen Praxis, Interesse liegt, wenn es die Mechanismen dieser Neuinterpretation beobachtet. Der Physicality von viel von neue-Kunst ist eine aktive Neukonfiguration der Vergangenheit und spielt bekannte Ereignisse und Strategien beim Voraussetzen eines nochmals zutreffendere Wiedergabe, die mehr in Synchronisierung mit laufendem Leben ist. Unverbundene Künstler brechen immer größere Klumpen "der Geschichte“ in ihre Arbeit: das Verbiegen von Form und Genre, Köder und Unschärfe vom realen selbst, vom alten mit neuem. Die Fragen diese Ausstellung erforscht Spiel heraus ständig um uns, und Geometrie der Zeit ist ein rigoroses, radikales Reframing von, wie wir an Wahrheit und Gedächtnis selbst denken konnten. "Kunst ist Diebstahl," Willi Burkhardt erklärt. "Und der einzige Ausweg ist, tieferes zu gehen in." |
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